Browse the Bibliography, Filmography and Webography

This site allows users to browse for entries in the Bibliography, Filmography and Webography on "Gender and War since 1600" sorted by

  1. Author/Director of publication or film (ordered alphabetically)
  2. Title of publication or film (ordered alphabetically)
  3. Year of Publication/Release of publication or film (ordered numerically)
  4. Type of Literature (books, book chapters, films, journals, journal articles, magazine articles, newspaper articles, theses, websites, etc.) (ordered by literature types in the listed sequence and then alphabetically)

Users can export their selected list of literature organized by author, title, year of publication or type of literature when they click below on RTF.

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Castellitto, Sergio. Venuto al mondo / Twice Born. Italy; Spain: Entertainment One, 2012.
Castillejo, María José Lope. La Mujer Militar: Sus Derechos Laborales y Prestaciones Sociales. Madrid, Spain: Civitas, 2002.
Castillo, Greg. "The American 'Fat Kitchen' in Europe: Postwar Domestic Modernity and Marshall Plan Strategies of Enchantment." In Cold War Kitchen: Americanization, Technology, and European Users, edited by Ruth Oldenziel and Karin Zachmann, 33-67. Cambridge, MA: MIT Press, 2009.
Castillo, Graciela Padilla, and Javier Rodríguez Torres. "La I Guerra Mundial en la Retaguardia: la Mujer Protagonista." Historia y Comunicación Social 18, no. Special Issue: I Guerra Mundial (World War I) (2013): 191-206.
Castle, William. Charge of the Lancers. United States: Columbia Pictures, 1954.
Castledine, Jacqueline. ""In a Solid Bond of Unity": Anticolonial Feminism in the Cold War Era." Journal of Women's History 20, no. 4 (2008).
Castledine, Jacqueline. Cold War Progressives: Women's Interracial Organizing for Peace and Freedom. University of Illinois Press, 2012.
Castro, Fernando Quesada. Mujeres y Guerra: Cuerpos, Territorios y Anexiones. Madrid, Spain: Editorial Biblioteca Nueva, 2015.
Catani, Maurizio, and Suzanne Mazé. Tante Suzanne, ou, L'histoire de vie sociale et du devenir d'une femme qui fut d'abord modiste dans la Mayenne à l'époque de la Première guerre Mondiale et ensuite l'épouse d'un horloger à Paris. Paris: Libr. des Méridiens, 1982.
Caton-Jones, Michael. Shooting Dogs. Beyond the Gates. United Kingdom; Germany: IFC Films, 2006.
Caton-Jones, Michael. The Jackal. United States: Universal Pictures, 1997.
Causse, Jean-Max, and Roger Taverne. Le franc-tireur / Chinese Glory. France: Les Acacias, 1972.
Cavalcanti, Alberto. Went the Day Well?. United Kingdom: Ealing Studios, 1942.
Cavalier, Alain. L'Insoumis / The Unvanquished. France: Metro-Goldwyn-Mayer (MGM), 1964.
Cavalier, Alain. Le combat dans l'île. France: Compagnie Française de Distribution Cinématographique (CFDC), 1962.
Cavallaro, Daniela. Educational Theatre for Women in Post-World War II Italy: A Stage of their Own. London: Palgrave Macmillan, 2017.
Cayatte, André. Nous sommes tous des assassins / We Are All Murderers. Are We All Murderers? France: Alliance Générale de Distribution Cinématographique (AGDC), 1952.
Cayrol, Jean, and Claude Durand. Le Coup de Grâce. France, Canada: Les Films de la Pléiade, 1965.
Cayton, Andrew R. L., and Fredrika J. Teute. Contact Points: American Frontiers from the Mohawk Valley to the Mississippi, 1750–1830. Chapel Hill: University of North Carolina Press, 1998.
Cazeneuve, Fabrice. L'Affaire Sacha Guitry. France: France 3 Rhône-Alpes Auverge, 2007.
Ceadel, Martin. Pacifism in Britain, 1914–1945: The Defining of a Faith. Oxford: Oxford University Press, 1980.
Cech, Vladimir. Černý Prapor / The Black Battalion. Czechoslovakia: Ceskoslovenský Státní Film, 1958.
Shaw, Diana. "The Forgotten Army of Women: The Overseas Service of Queen Mary Army Auxiliary Corps with the British Forces, 1917-1921." In Facing Armageddon: The First World War Experienced, edited by Hugh P. Cecil and Peter Liddle, 365-379. London: Cooper, 1996.
Cecil, Hugh, and Peter Liddle. Facing Armageddon: The First World War Experience. London: Leo Cooper, 1996.
Cedar, Joseph. Bufor / Beaufort. Israel: United King Films, 2008.

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