French Sculpture Following the Franco-Prussian War, 1870-1880: Realist Allegories and the Commemoration of Defeat

TitleFrench Sculpture Following the Franco-Prussian War, 1870-1880: Realist Allegories and the Commemoration of Defeat
Publication TypeBook
Year of Publication2010
AuthorsDorsch, Michael
Number of Pages206
PublisherAshgate
CityFarham, UK; Burlington, VT
Abstract

French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falguiere, Mercie, Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.

(UNC Chapel Hill)

Short TitleFrench Sculpture Following the Franco-Prussian War, 1970-1880
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